Joshua Oppenheimer's post apocalyptic musical, THE END is a dense emotional journey to the centre of the earth. A misfire of ambition and talent that feels more than a whisper than a showstopper.
Brady Corbet's The Brutalist is a perfect example of a cinematic, enigmatic voice pushing against the commercialism of the industry. Bold, brave and a visceral tour-de-force, we sat down with director Brady Corbet to discuss the intricacies of developing a film that goes against the rationale of the modern commercialism of the movie industry.
Brady Corbet's The Brutalist is a generational towering Prometheus; a 215 minute journey across continents and decades of a man searching for a new beginning. Centered around an empathic and devastating performance by Adrien Brody; The Brutalist earns every second of its intimdating, visceral journey.
Edward Berger's Conclave is a kinetic political thriller where the Sistine Chapel turns into a taut courtroom procedural. A who-dun-it in the midst of the Holy See; cardinals twist and turn their way to the throne, all the in shadow of God.
